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This is a slight revision of the fourth of the Douze Grandes études (S. 137; LW A39; R. 2a). Other versions of the étude are found in the Douze Études (S. 136; LW A8; R. 1) from 1826 and the Douze Études d’exécution transcendante (S. 139; LW A172; R. 2b).
The étude was later used as the basis of the symphonic poem Mazeppa (S. 100; LW G7; R. 417), which also exists in versions for piano duet (S. 594; LW B38; R. 320), two pianos (S. 640; LW C13; R. 362) and solo piano (S. 511b, a revision of an arrangement by Theophil Forchhammer).
Duration: 7'
Difficulty: 5
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